"He's silent, wherever he is." [On metaphorical terrain.]

"By now one more American sheep the shepherds have temporarily lost track of, somewhere in the high country above this ruinous hour, cragfast* in the storm."

-From page 402 of "Bleeding Edge" by Thomas Pynchon.

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*From the Oxford English Dictionary:

"She finds herself gazing out the window." [Towards the Deseret, a (fictional) apartment house.]

"She squints past roofline contours, vents, skylights, water tanks and cornices under this pre-storm lighting, shining as if already wet against the darkening sky, down the street to where the cursed Deseret rears above Broadway, one or two storm-nervous lights already on, its stonework at this distance seeming too uncleansable, its shadows too many, ever to breach."

-Just one sentence (the prior one provides this post's title) from page 199 of "Bleeding Edge" by Thomas Pynchon.

One Night Only: The Brontes, Live!

We loved Dizzy Miss Lizzie's production of "The Brontes" at last summer's Capital Fringe Festival, and next Monday (January 7th) at 6 PM, NeuroCooking friends in the National Capital Area have a chance to see it at the Kennedy Center, for free.

"Back out of all this now too much for us ..."

At a recent conference in Sonoma, California, I met the poet Jill McDonough. 

Most of the conference attendees were architects and designers. I'd flown in from Maryland to show how magnetic resonance imaging can reveal the functional organization of the human brain; she'd flown in from Boston to read poetry at the closing dinner.

Please may I suggest, dear NeuroCooking friends, that you read this poem, then wipe your tears, and buy this book?

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[Note regarding post title: The opening of Robert Frost's Directive is repurposed as a line in "Blackwater" from the book "Where You Live."]

How to Gather Stories

How to Gather Stories, a piece inspired by my recent work with philanthropic foundation program officers, has just been published at the Stanford Social Innovation Review blog.

Here's an excerpt:

Ask: “Tell me about a time…” By asking about a discrete moment in time, you encourage the sharing of experience and the details and emotion that accompany the recollection.

Ask for superlatives....

We tend to remember the superlative moments in our lives. Probe for those experiences. Ask for heightened emotional moments. Emotion is often referred to as the “glue” of memory. Ask people about moments when they have felt connected, surprised, or touched. Ask for “Aha!” moments of epiphany and for turning points.

You can also share a story of your own—and then be quiet. Sit back, and transfer all your attention to the person with whom you just shared your story. Most likely, you will hear one in return. If necessary, ask: “Does that story remind you of anything?”

You can read the entire short piece here.